• • Originally published in The Moon and reprinted in Elsewhere (Plan B Press, 2007)
Poetry Writing Contest XXIV, First Place (2009)
NEW MILLENNIUM AWARD FOR POETRY
“The Visible Spectrum” by Ellen Sullins of Tucson, Arizona
For me, the most rewarding writing often starts out as one thing and morphs into something else entirely. When I began this piece, I was light-heartedly pondering the question of what goes on (or doesn’t) in the minds of cats, but then the poem grabbed my pen and the rest of The Visible Spectrum wrote itself. The desire to return to that state of altered consciousness and emotional openness is what keeps me writing. — Ellen Sullins
Sullins will receive $1,000, a certificate to mark the success, and publication both online and in print.
The Visible Spectrum
By Ellen Sullins
I.
She used to wonder a lot
about what went through the mind
of her old cat Sybil
and once she said to her old friend Jay
wouldn’t it be cool to spend a day inside her head
you know to really experience cat
reality and he said hmm maybe not
might make you crazy and even though
that conversation was years ago she still
thinks of it often and wonders if it might be true
that only cats can handle cat consciousness
and if so would it also be true that a cat couldn’t
handle human consciousness because maybe
what happened was her dad
was really a cat who somehow landed in a human
body with a human brain and that’s why eventually
he had to take that shotgun to obliterate
the consciousness so alien to his essence
but maybe she’s reaching a little there.
II.
Or maybe not
because she also daydreams a lot
about waking up with new and improved vision
that would let her see beyond the currently visible
spectrum of light not to make bifocals
unnecessary but allow her to apprehend
the colors hiding in the really really
short and the really really long
undulations because wouldn’t it be cool
to experience something as incomprehensible as that
and then she thinks hmm might make her crazy
but then if she did
discover something like maybe
infrared smells like death or birth or maybe ultraviolet
has the texture of Aphrodite’s inner labia wouldn’t insanity
be a small price to pay and she’s reminded
of the people she knows who stopped doing acid
or peyote back in the day
because they knew…the next time
they wouldn’t have the will to come back
and all the ones who didn’t know
they wouldn’t have the will or didn’t care
but she’s been very fortunate and didn’t actually know
any of those.
III.
Although her brother
did sort of loosely fit that category
after Vietnam except it wasn’t drug-drugs that got
him though he certainly did plenty of them saying why
should an emotional cripple any more than a physical
cripple have to give up his crutches let alone
his wheelchair and she remembers thinking that he did
have a point but then it turned out to be all the beer
in his bloodstream that day that either fucked
up his judgment or just persuaded him
to go on and blast through the stop sign
where the road dead-ends at the highway
with that big tree on the other side
either way they said he died instantly
and yes she says she’s wondered all the clichés
about that last instant of his
and her dad’s
like did they see the real and true face of god
in all its holy splendor and all but when she lets
herself imagine the full spectrum of feelings
they might have had then her own
reality begins to shimmer and sway
in a bendy-stretchy kind of way and she has to pull
herself back from even looking
at that land of melting clocks and buzzards
because what distinguishes her from them
might be nothing more than a gene here a peptide there
and even if she’s been saved so far by something like the fullness
of two entire X chromosomes you never know
when some little acid-base pair might just wink off or on
and she could very well join the ranks
of the unwilling or unable to come back
from such a place where the entire spectrum of all that is
is visible.
ABOUT THE AUTHOR
Ellen Sullins was raised on a farm in Missouri, but now seems to have settled in Tucson, Arizona. She holds a PhD in social psychology and for 15 years was a university teacher and researcher in that field. Since retiring from academia, she has divided her time between practicing psychotherapy and writing poetry. Her work has appeared in Nimrod International, South Carolina Review, descant, Concho River Review, Calyx and Red Wheelbarrow, among others. She is the author of Elsewhere, a chapbook published by Plan B Press in 2007.
“The Visible Spectrum” © 2007 Ellen Sullins