Winter Oranges | Susan Chiavelli

Flash Fiction Writing Contest 25 (2009)
First Place

Our stories are time capsules that contain what is otherwise destined to vanish—the essence of ourselves, our time, and place. I have a keen interest in telling stories from the view points of girls and young women, who are often marginalized or silenced. It is the exploration of the unsaid that illuminates the emotional truth we seek in any age. — Susan Chiavelli

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Tail the Barney | Stephen Irwin

Fiction Writing Contest 24 (2009)
First Place

Writing’s easy. Good writing’s hard. And it feels a long, long road between those poles, especially when, most of the time, you don’t really know how close to which one you are. Yet, it’s simple to recognise others’ True North: good writing elicits powerful emotions through the seemingly effortless witchery of combining even the most commonplace words. So, on my long walk, I’m trying to convey more by saying less, to speak more clearly by listening more closely, and to write better by reading with a care that reflects the love with which stories were written. I’ll let you know if it works! — Stephen Irwin

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No Longer Strangers | Adrienne Pond

Flash Fiction Writing Contest 24 (2009)
First Place

My favorite writers are mavericks who can foreshadow a dare we must offer ourselves – to be better. They risk their lives, risk losing their jobs, risk losing love or have already been risked by someone else. Their words keep us from fleeing when all a morning may offer is cold stale fear of what next could crush the only edge left on a last dream. Writers are everyone’s witnesses, reminding that last dreams can mutate and multiply into anything. — Adrienne Pond

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The Visible Spectrum | Ellen Sullins

Poetry Writing Contest #24 (2009)
First Place

For me, the most rewarding writing often starts out as one thing and morphs into something else entirely. When I began this piece, I was light-heartedly pondering the question of what goes on (or doesn’t) in the minds of cats, but then the poem grabbed my pen and the rest of The Visible Spectrum wrote itself. The desire to return to that state of altered consciousness and emotional openness is what keeps me writing.  — Ellen Sullins

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Snake Dreaming: Speculations on Human and Reptile Consciousness | M. Garrett Bauman

Poetry Writing Contest 24 (2009)
First Place

I began this piece by narrating my encounters with snakes. But it remained flat until I accepted that something deeper was going on. Time for research. Reptile science proved to be as poetic as myth and symbols; I grudgingly came to realize that snake “dream” consciousness painfully exposes humans’ failure to evolve beyond our primitive, violent origins. At the same time I felt a comic detachment from the reptile “philosophy,” much as we regard our own dream state. You cannot simply write what you already know. Writing must change your ideas or it is merely report writing. — M. Garrett Bauman

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Cracking Open | Patricia Brieschke

Nonfiction Writing Contest XXIII (2008)
First Place

Listen to your work as you read it aloud. Ears don’t lie. Rewrite, then rewrite again. Put it aside for a while, then return and rewrite again. Read it to someone whose ear you trust and embrace the feedback, If they say “get rid of a phrase, a sentence, a section, a character,” take however long you need to stew, then open yourself to the critique. If you cut material, stash it in your own slush pile to be used somewhere else. The slash and burn part of writing is exhilarating. And, yes, less is more.. — Patricia Brieschke

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The Wedding Dress | Cynthia Reeves

Flash Fiction Writing Contest 22 (2008)
First Place

Above my office desk is the following quote from Ortega y Gasset: “The man with the clear head…looks life in the face, realizes everything is problematic and feels himself lost, as this is the simple truth that to be alive is to feel oneself lost. He who accepts it has already begun to find himself, to be on firm ground.” These words inspire me to continue whether I’m lost confronting the blank page or lost deep in the throes of revision. — Cynthia Reeves

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The Vacationers | Maria Caruso

Maria Caruso has won the 15th New Millennium Nonfiction Prize for “The Vacationers.” She will receive $1,000 and publication both online and in print. A Note from the Author: “I’ve shifted Eleanor Roosevelt’s idea about life, ‘The thing you think cannot do is the thing you must do,’ and applied it to my writing. I try

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